Brimbank Council Meeting No. 643 - 18 March 2025

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12.4

Vietnamese Museum Australia And Welcome Plaza – Project Update

+

12.4

Vietnamese Museum Australia and Welcome Plaza –

Project Update

Directorate

City Futures

Director

Kristen Gilbert (Acting)

Chris Leivers

Manager

Aidan Mullen

Lisa Davis

Attachment(s)

1. VMA Welcome Plaza Landscape Concept [

12.4.1

- 1

page]

2. Wominjeka Plaza Targeted Consultation Results [

12.4.2

-

6 pages]

Purpose

To provide an update on the Vietnamese Museum Australia project, including the associated

welcome plaza and car park, and seek Council approval to consult the community on the

proposed name of the plaza.

Officer Recommendation

That Council:

a. Notes the sale of land to the Vietnamese Museum Australia Ltd (VMA)

has been completed and works on the building are scheduled to

commence in March/April 2025.

b. Notes the indicative timeline for construction of the VMA, with

construction of the building planned to be complete in March 2026.

c. Notes that Council Officers have undertaken engagement with local

multicultural groups, Traditional Owners and other stakeholders in

relation to the design of the proposed new plaza and that a Concept Plan

is now complete, with information to be shared with the immediate

neighbours as part of the plaza naming consultation.

d. Notes that external funding opportunities have been explored for the

plaza and that to date, external funding has not been secured.

e. Notes that advocacy for external funding for the plaza will continue.

f. Notes that potential Council contribution to fund delivery of the plaza will

be considered as part of the 2025/26 Council Budget process.

g. Endorses the proposed name of the plaza as

, and notes

that community consultation will be undertaken in accordance with

Council’s Place Naming Policy and the

1998.

Background

At the Ordinary Council Meeting on 19 March 2024, Council considered a proposal to sell

part of the land known as Durham Road Car Park in Sunshine, directly to the Vietnamese

Museum Australia Ltd (VMA Ltd) for the purposes of operating a nationally significant

cultural museum. At this meeting, it was resolved:

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a.

b.

c.

d.

i.

ii.

iii.

iv.

v.

vi.

vii.

e.

i.

ii.

iii.

f.

i.

ii.

iii.

iv.

v.

vi.

g.

i.

ii.

iii.

iv.

v.

vi.

vii.

h.

i.

ii.

iii.

iv.

i.

ii.

iii.

j.

k.

l.

i.

ii.

iii.

iv.

v.

The Vietnamese Museum Australia (VMA) will become the sixth multicultural museum in

Victoria. It is proposed to become a prominent landmark and important cultural space

for the Vietnamese and wider Melbourne community, with potential for annual visitation

of 25,000-33,000 visitors, including school groups.

Responsibility for development and operation of the $25 million museum sits with the

VMA. Grants have been successfully obtained from the Federal Government ($10 million)

and the Victorian State Government ($6.5 million) the remainder is funded by VMA Ltd

($8.5 million). Approval for the development was granted by the Victorian Minister for

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Planning through the Development Facilitation program. Once complete the museum will

be operated by independently by the VMA.

There are four elements to the project that Council is responsible for:

1. Sale of part of the Durham Road Car Park to VMA Ltd and construction of the

Museum;

2. Construction of a plaza to serve as the forecourt to the Museum and attractive

gathering space that celebrates First Nations and all refugee and migrant

communities that call Brimbank home;

3. Reconfiguration of the retained section of the Council-owned carpark at Durham

Road; and

4. Addressing car parking concerns raised through 2023 community consultation on

the sale of part of the Durham Road Car Park for the Museum.

An update on each project element is provided below.

Matters for Consideration

1. Sale of the Durham Road land parcel to VMA Ltd and Construction of the

Museum

(a) Sale of land and land transfer

The VMA Ltd has met all the conditions outlined in the Contract of Sale, including

obtaining planning approval and showing evidence of adequate funding for construction.

As such the Contract of Sale has now been completed and the land transferred to the

VMA Ltd.

A Section 173 Agreement has been executed which governs the use and management of

the land going forward as outlined in previous Council reports.

(b) Construction timeline etc

Construction of the VMA museum will commence in March/April 2025 and is expected to

be completed in March 2026.

2. New “Welcome Plaza”

(a) Plaza Design

In accordance with the Council Resolution of 19 March 2024, a Concept Design for the

plaza has been completed, in consultation with Traditional Owners, multicultural groups

and internal stakeholders. The proposed plaza will be approximately 675 square metres

and will sit immediately adjacent to the museum (to the east) (refer to

Attachment 1

).

This plaza is intended to be a destination in its own right, open to the public at all times.

It will function as a forecourt to the Museum; be an attractive space that celebrates First

Nations, refugee and migrant communities that call Brimbank home; and a connection

between R T Pollard Gardens and Durham Road.

The plaza design aims to address several concerns and opportunities raised during the

consultation period, including:

•

Public safety and existing antisocial behaviour;

•

Recognition of all refugee and migrant communities; and

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•

Providing a potential economic stimulus for local businesses.

The plaza will be a pedestrian-only space (i.e. closed to vehicles) and has been designed

to include generous public seating, lighting, garden beds, public art, tree planting and a

table structure around the large existing gum trees. Officers have worked closely with

the VMA to ensure the plaza appropriately integrates with the Museum.

Detailed Design of the plaza will commence in March 2025. Officers will work closely with

a selected local indigenous artist (member of BATSICC) for the public art component

within the plaza and will undertake additional engagement with specific groups including

Wurundjeri and BATSICC on the art element.

The Concept Design will be available to the community via Council’s website and will be

incorporated into the engagement material shared with the immediate neighbours as

part of the plaza naming consultation.

(b) Plaza cost and funding opportunities

The current cost estimate for the plaza is $1.1 million (excluding GST).

Officers have pursued external funding opportunities through advocacy to both the

Victorian State Government and the Federal Government, in accordance with the 19

March 2024 Council Resolution. Funding for the plaza is included in Brimbanks advocacy

material leading into the Federal election, with ongoing discussions continuing at the

Federal level. Advocacy to the State Government has also been regularly pursued with

relevant Ministers and Local Members.

An application was made to the Federal Government’s Thriving Suburbs Program

however this application was not successful.

As construction of the Museum building will commence in March/April 2025 and the plaza

needs to be built immediately adjacent, it is proposed that Council considers potential

funding of the plaza as part of the 2025/26 Council Budget process.

Officers will continue to advocate for funding and apply for grants as opportunities arise.

(c) Proposed plaza name

The new plaza is proposed to be named

. This name was recommended

by the Wurundjeri Elders during consultation on the plaza design.

Wominjeka means ‘welcome’ in the Woiwurrung language of the Wurundjeri people.

Council has been granted official permission to use this word for the name of the plaza

by the Wurundjeri Elders. There has been no objection to the proposed name during the

consultation sessions held to date.

To officially name the plaza, Geographic Places Victoria (GPV) requires a statutory

process be followed, which includes a 30-day period of community consultation. Any

objections to the name must demonstrate how the proposal fails to comply with the

Naming Rules for Places in Victoria (the Naming Rules) specified in Section 7. If it can

be proven that the proposal does not comply with the Naming Rules, Council must alter

or abandon the proposed name.

Council’s endorsement to consult the community on the name

as part

of this statutory process, is sought via this report.

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3. Durham Road Car Park Reconfiguration (western end)

Design of the retained section of the car park at the western end has progressed,

ensuring integration with the VMA building and access designs. Landscaping elements

will include an adequate garden bed for the existing eucalypt, retention of as many other

existing trees as practical, and an appropriate interface treatment between the car park

and the proposed museum building. Officers are also conscious of managing circulation

of traffic to and around the site utilising Durham Road, Watt Street and the rear

laneway.

Officers have submitted proposals to the Department of Transport and Planning (DTP) to

relocate the bus stop adjacent to the proposed access to the reconfigured car park.

Negotiations are continuing and a decision pending.

The existing eucalypt will be protected during the occupation of the site for construction

of the museum by ensuring the Construction Environmental Management Plan

incorporates a Tree Protection Zone.

The final number of carparks, as well as, detailed costings, procurement and budget

allocation will be finalised once the bus stop relocation is determined, and the

engineering documentation is complete.

4. Durham Road Car Parking Management Plan – actions to resolve the

identified car parking issues

Council Officers are investigating the most effective way to improve parking efficiencies

in the area. Changes to parking restriction are yet to commence. It is considered that

the most critical time to focus on restrictions and enforcement is when construction

commences and access to the existing off-street parking will be limited. As mentioned

above, this is expected to occur with the next month.

Officers have progressed the creation of the additional 5 car parking spaces in Sun

Crescent. Works are expected to be complete and spaces available by mid-2025.

Correspondence with Minister Pearson in accordance with Council’s resolution to explore

options to address car parking concerns in the precinct, commenced in April 2024. The

response, received from Minister Brooks (Minister for Development and Minister for

Precincts), expressed congratulations and encouragement for Council and in particular

identified that the DTP:

•

will update Council on the scope and timelines for delivery of the Sunshine Station

masterplan and spur line project when internal planning is complete;

•

is exploring car parking across the Sunshine CBD which will include further local

engagement;

•

is reviewing the location of bus stops in Durham Road and Sun Crescent, changes

to which will be considered in the context of the VMA proposal.

Officers continue to liaise with DTP to further Council’s interest in these matters. Council

has also committed to monitor car parking impacts once the museum is open and take

action as necessary.

Community Engagement

Engagement on the plaza design

From July to September 2024, Officers undertook targeted engagement with key

external stakeholders including Wurundjeri Council; Brimbank Community Voice;

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Brimbank Youth Council; Multicultural Women’s Leadership Group; and Interfaith

Leaders.

The engagement was in the form of workshops to incorporate the ideas of welcoming

and belonging for the Traditional Owners and people from migrant backgrounds to allow

these stories and ideas to be woven into the design and to create a culturally safe space

for all.

There was an engagement session proposed with BATSICC but this was deferred to allow

a clear focus on the public art component, which was a recommendation by Council’s

First Nations office. This will be scheduled in due course.

Outcomes of the engagement are included in the report at

Attachment 2

and

summarised below.

There were four emerging themes expressing cultural commonalities:

Theme 1: First Nations first - Participants emphasized the importance of

embedding First Nations values in design to honour Aboriginal and Torres Strait

Islander culture.

Theme 2: Tangible expressions of culture - Cultural expression was central, with

strong connections to memory, identity, and belonging.

Theme 3: Nature - Sustainable design should preserve nature, engage the

senses, and reflect cultural connections to water and greenery.

Theme 4: Design that enables or invites connection -Thoughtful design should

foster “third spaces” that strengthen community resilience, wellbeing, and shared

experiences.

The Concept Design will be available to the community via Council’s website and will be

incorporated into the engagement material shared with the proposed plaza’s immediate

neighbours as part of the plaza naming consultation.

Engagement on the proposed plaza name

Subject to Council’s endorsement of the name

, community

engagement will be conducted within the coming months with results reported to Council

once completed.

If the name

is found to be non-compliant with naming rules, approval will be

sought for consultation on an alternative name, followed by a second round of

community engagement. Council will be notified before community consultation begins.

Resource And Risk Implications

Community:

During construction of the museum, car parks and the new plaza, there will be some

disruption to the streetscape and movement of traffic and pedestrians. These will be

managed through information to the community, signage and updates on Council’s

website.

The Contractors are required to have Traffic Management Plans in place.

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Environmental:

In the new plaza, significant trees will be retained and additional vegetation will be

planted in garden beds, to create shade and increase local biodiversity.

Surface stormwater runoff will be captured in large raingardens, providing passive

irrigation for garden beds and reducing the impact of flash flooding.

Natural and resilient materials will be used for all surfaces, furniture, and fixtures to

minimise maintenance costs, enhance longevity, and reduce overall environmental

impact.

Financial:

Funding for the Museum has been provided by the Commonwealth and State

Governments, and via the VMA.

The current cost estimate for the plaza is $1.1 million. Despite a grant application and

advocacy, external funding has not yet been secured.

As construction of the Museum building will commence in March/April 2025 and the plaza

needs to be built immediately adjacent, it is proposed that Council considers potential

funding of the plaza as part of the 2025/26 Council Budget process.

The ongoing operational costs of maintaining the plaza will be calculated following

detailed design and incorporated into future Council budgets.

Council and the VMA have agreed to share the costs of the car park works, and Officers

will make allowance for this in future budgets as required. Council’s contribution is

expected to be in the order of $200,000 for this component.

Regulatory/Agreements:

The plaza’s name and the process to formalising this will comply with the requirements

of the Geographic Place Names Act (1998), as outlined in this report.

Ongoing maintenance responsibilities of the VMA Ltd and Council in relation to shared

spaces will be documented in a formal Agreement. Work on this will commence once

final designs are complete.

Safety

:

During the engagement process for the Museum and plaza design, feedback was

received about the importance of public safety in the public realm areas.

To achieve this, Crime Prevention Through Environmental Design (CPTED) principles

have been embedded into the design of the building and the plaza, with a focus on

maintaining clear sight lines, lighting, seating areas and design of garden beds.

Legislation/Council Plan/Policy Context

This report supports the Council Plan 2021-2025 strategic direction and objective of:

1. People and Community - A welcoming, safe and supported community - An

inclusive place for all

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•

Wellbeing and Belonging - Responsive services that support mental and physical

wellbeing

•

Pride and Participation - Community and cultural connections built through social

and artistic expression

2. Places and Spaces - Liveable and connected neighbourhoods that support

healthy and sustainable futures - A green place for all

•

Liveable and Connected - Inviting and liveable spaces and facilities, connected so

people can get around

•

Sustainable and Green - Protect natural environments for current and future

generations

.

This report complies with the

,

, Brimbank Community Engagement Policy 2021, Sunshine Priority Precinct 2050,

Brimbank Economic Development Strategy 2022, Experience Brimbank Visitor Strategy

2018 – 2023, and Sunshine Rising Action Plan 2019-2024.

Council Officers contributing to the preparation and approval of this report, have no

conflicts of interests to declare.

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Attachment 12.4.1

Wominjeka Plaza Consultation - Emerging Themes Report 2024

–

Helen Rodd | Page

of

Four consultations were held during August

–

September 2024, targeting diverse community members and in

consideration of diverse perspectives within the multicultural community. They were:

1. Brimbank Community Panel

2. Brimbank Youth Council

3.

Multicultural women’s community leadership group

4. Interfaith leaders and senior men

The consultations focussed on conversations about how people feel and think about belonging and what ideas

or expressions of ‘welcome’ enable a sense of belonging.

The conversations drew upon their settlement and

cultural experiences, traditions and sense of identity.

The following discussion outlines the emerging themes and cultural commonalities expressed. Note that

extensive notes of each consultation are available as appendices.

All groups articulated respect for Aboriginal and Torres Strait Islander communities and culture, and a need to

incorporate First Nations images and values in the design to honour their central and abiding place amongst

Australia’s diverse cultures.

A request for clear recognition of First Nations as you enter the space and at the centre of the space (inferring

permission/blessing of the Traditional Owners). This is congruous with other First Nations culture

’

s beliefs

about respecting the traditional owners. For example, consider the Pacific region

al “family” –

there is a close

connection between Maori and Australian First Nations.

As a “Pacific family”

, this could include the link with

the museum and the Vietnamese community, with Vietnam being a Pacific-facing nation.

The idea of ‘songlines’ may be an important concept to consider in the design.

There was much exploration and expression of culture, that highlighted key elements that spoke to memory,

connection, being and identity. One participant articulated a common thought amongst all groups:

“people

SEE the diversity captured in one place”.

Participants wanted to see recognisable, tangible elements in the

space that connects to significant material culture or symbols or enactments of culture.

A related set of ideas that emerged from all of the conversations was the metaphors of cultural stories as

songlines, as threads of connection, as a line of connection through ancestors past /present family/future

generations, or as journey pathways. The thread, the weaving through a space gathering the diverse threads,

songlines, storylines of the community. The conversation explored diversity and hybridity and the complex

enmeshment of cultures woven together.

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Attachment 12.4.2

Wominjeka Plaza Consultation - Emerging Themes Report 2024

–

Helen Rodd | Page

of

Ancestors were mentioned several times in the story of their name or their migration story. Recognition of

ancestors is seen as an important cultural ritual, enacted through names, naming as a form of story-telling,

spiritual, mystical, cultural memory and cultural identity.

The following is an expression of the common key ideas for this theme and sub-themes:

- Family is central to cultural being and identity

- A gathering space, a dwelling space where families can come together

- MUST include spaces/attractors for children and young people

o

Safe play spaces for children, includes line of sight safety, supports sensory play, supports

curiosity, interact with nature or water

o

Participants referenced the use of phone cameras for documenting life eg. including an

attractive wall mural so young people can take photos for their Instagram accounts

o

Spaces for young people to study and socialise

o

Places must include discreet space for breastfeeding mothers

- Important to include seniors/elders as well; discussed the respect for Elders in cultural values,

expressed through formal language, and in gesture (eg. who goes first)

- Inter-generational connection was important but also being connected to ancestors and to the future

(again that thread metaphor)

- Family gatherings and special foods have associated rituals

- Festivals also bring community together and foster belonging through community rituals

- All groups expressed the significance of traditional plants that evoke strong memories of home, of

their back yard, of traditional cooking

o

Flowers

–

geraniums, marigolds, calendula, forget-me-nots, frangipani, rose, bougainvillea,

wattle, Syrian Rue/Esfand (for protection, the evil eye)

o

Herbs

–

oregano, rosemary, basil, parsley

o

Other plants

–

bamboo, date palm, coconut trees, pomegranate

- Flowers show up in festivals especially spring festivals, which represent hope and new beginnings

- Flowers are also an expression of beauty, memory, peace, harmony and happiness

-

Tea and coffee rituals

–

an important symbol of hospitality, mutuality, connection, conversation and

dialogue

- Language is such a strong holder of culture and being

–

how can languages be incorporated in the

design?

- Many languages have decorative scripts

- It was stated by many that having languages present encouraged children to learn their languages (a

few participants expressed an interest in incorporating interactive screens that included languages)

-

‘

Welcome

’ and ‘Peace’

has rich meaning in different languages

- Religio-cultural symbols eg. Ohm is a symbol and a chant

- Peace symbols eg, Peace dove, olive branch; some suggested for

‘peace’

to be inscribed in different

languages around a communal table

- Flags of countries to represent the diversity of Brimbank; seen as a colourful and dynamic feature

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Attachment 12.4.2

Wominjeka Plaza Consultation - Emerging Themes Report 2024

–

Helen Rodd | Page

of

- The

‘

Circle

’

is an important symbol, referencing values of equality, togetherness, hospitality

- Various other symbols were mentioned eg. Gold fish (used in Persian and Asian cultures);

Pomegranate (Persian); particular birds

-

“Our cultures celebrate colour!”

- orange, yellow, red, green (from plants)

- Blue and Royal blue (Greek, Islamic art)

Beauty in material culture is highly valued.

“Art is better than words”

.

The following is a list of the diverse artistic modalities and cultural references shared by the groups:

-

–

significant for the Persian community that participated

–

an example was given of the poet

Saadi and their poem (about humanity) inscribed at the entrance to the United Nations building in

New York city.

-

–

various cultural designs, suspended /hanging across the space (Eg. Garden of cloud

and stone precedent image

–

see end of document); lighting of candles is a significant ritual in many

cultures

-

–

colour and beauty, cultural references, for the photo opportunity

-

–

including striking images of people who have played a significant role in human

imagination and struggles for justice eg. Sharbat Gula (Afghani young woman)

-

o

Many cultures ancient and contemporary values this art form

o

Perhaps the design could include a reference to diversity, with First Nations people at the

centre

o

Perhaps express peace symbols

-

–

Terracotta pots, stone paving, wooden barrels for planters, Geraniums growing in

baskets on balconies (European reference)

-

and weaving, including the Toran doorway decoration (from Persian, Indian and

Burmese references)

-

Carved wooden totem poles; Music, instruments, dance; Kites

–

Kite Festival in Pakistan

Mode of arrival to Australia was discussed:

- Ship/boat or aeroplane

o

Note tension with the term “boat” –

double edge for this term!

Linking the idea of new beginnings and migration

- Flowers show up in festivals especially spring festivals, which represent hope and new beginnings. The

idea of ‘new beginnings’

is intrinsic to the migration experience.

-

-

–

many spoke about the importance of connection and

dialogue between cultures and religions, in a way that describes it as a deeply held

and a way of

life, where community is not interpreted through a binary lens of “either

-

or” or “us

-

them” but as

“both

-

and”, as “we”, as mutuality. This value is therefore related to peace

-building.

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Attachment 12.4.2

Wominjeka Plaza Consultation - Emerging Themes Report 2024

–

Helen Rodd | Page

of

-

–

quotes from the consultation express the importance of this value -

“

coming together

to drink tea is like an act of peace”; “

flowers and their fragrance brings peace,

calmness and happiness”

; for some it is important to have spaces for contemplation or prayer; there is

a link between peace and wellness.

-

–

migrating to Australia, coming to live in Brimbank represents new beginnings

and hope for a better future. Many spoke about the opportunities coming to Brimbank offered eg

finding/buying a home, finding work, having children, creating a new generation

-

o

Constant

references to “

paying it forward

”

, or referring to the privilege and blessings of

hospitality and mutuality and honour. Language captures this eg.

Namaste = “I bow to you”

o

Gestures of welcome/hospitality

– smiles, arms open, “come closer”,

the open door,

happiness/joy

o

Tea or coffee rituals

-

–

linked to the eagerness to learn more, discover shared or common

beliefs or rituals, intercultural connections and explorations.

Keep the existing large trees

- Beauty

- Shade, shelter

- Habitat for wildlife, inviting nature in

- Established trees signal time, permanency, give vertical depth to the site

Participants commented on the small size of the plaza footprint. However, we discussed linking the design to

Pollard Gardens as a way to extend the natural space, and to also link the larger open space of Pollard Gardens

to the intimate space of the Wominjeka Plaza space. How can these spaces woven together cohesively?

Many commented on the ideal of preserving nature through sustainable design and construction.

The group valued:

- Green spaces/nature

“take the pressures away”

- A therapeutic garden for healing and wellbeing

o

especially in relation to increased mental health issues since the COVID pandemic

o

especially in response to experiences of isolation, loneliness, racism, cost of living, wars in

different parts of the world, climate change

- Seasonal cultural festivals especially spring/new year celebrations are symbols of hope, joy, openness,

hospitality.

- Birds and native animals - invite them in; nest boxes for possums; nests as a metaphor for home; some

birds or animals have cultural significance (Bunjil/Eagle, Waa/Raven, the nightingale)

- For First Nations communities

‘

water is life

’

, its an essential part of their songlines

- Australia is a coastal country

––

water is a defining feature, beach, seas, oceans, rivers

- Water also references migration

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Attachment 12.4.2

Wominjeka Plaza Consultation - Emerging Themes Report 2024

–

Helen Rodd | Page

of

- Water references the calming, peaceful and healing effect of running water

- Referencing local waterways

–

referencing the creeks and rivers nearby

- Include a water feature in the design by considering:

o

Referencing nature eg creek bed running over rocks; topographic design for creek bed

o

A pond, fountain, waterfall, mist

o

Water creatures

–

gold fish, yabby

Participants expressed a desire for all senses to be engaged

–

senses evoke powerful memories.

-

- Lighting - cosy lighting,

‘hygge’

, fairy lights to create ambience; incorporate important

symbolic colours (in art works, paving or plantings)

-

–

Incense (spiritual, relaxation, peace); Plantings

–

fragrant herbs, flowers

-

–

water bubbling, falling, flowing

-

–

natural paving, or white marble (Greek/Italian references)

-

–

evoking the taste of cultural foods eg referencing tea or coffee.

The idea of

“

Bumping spaces

”

or

“

Third spaces

”

has emerged from community development, community

engagement and planning scholarship. These spaces contribute to the strength, resilience, health and

wellbeing of communities. Public open spaces and how they are planned and designed to encourage and

facilitate connection is critically important. All groups spoke about ways to connect people in this space

–

in a

sense how to operationalise the space for human connection and belonging. The following ideas reflect

participants aspirations.

- Design for chilling out, resting, dwelling, connecting, studying, without the need to spend money

- Design shared spaces, intimate spaces, encourage parallel play/being together

- Consider shading over seating areas for protection/shelter from rain

- By unanimous agreement, the round table with plants in the middle (see precedent images), with

perhaps the inclusion of cultural references stamped into the design

- Bench image with light underneath was popular

–

playful use of light

- Comfortable seating! For young and old!

- Tiered levels, as per precedent images, was of interest

- Use colour! Eg. yellow chairs and tables (see precedent images)- create a playful space with a pop of

colour

- Different cultural boardgames were mentioned

- Design to accommodate performative culture

- The stage should encourage flexible use, consider power, wifi and device charging, and perhaps

accommodate a screen for film festivals, Seasonal festivals

- Consider installing touch screen technology interpretive panels

–

like an outdoor museum that

includes all of the cultures in Brimbank; share local history, especially Aboriginal history; history of

migration; language and culture.

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Attachment 12.4.2

Wominjeka Plaza Consultation - Emerging Themes Report 2024

–

Helen Rodd | Page

of

to signal an important threshold in to the space

–

a

‘

gate

’

or design element that communicates

welcome, invitation to a special place.

“I want to go in there”.

- Toilets (older people, mothers, children, people with disabilities)

- Drinking fountain

–

water refill station

- Braille signage

- Unanimous interest in the round planting circle

- Strong interest in the lit-up bench

- Lanterns or fairy lights

- Public art installed at different eye levels

- Flags or colourful bunting

- Signs that say welcome in different languages

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Attachment 12.4.2